
Modest Mouse’s long-awaited sixth studio album interweaves the crudity of their early recordings and the polish of their recent work into a powerfully eccentric opus.
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Modest Mouse’s long-awaited sixth studio album interweaves the crudity of their early recordings and the polish of their recent work into a powerfully eccentric opus.
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Recorded in a span of three weeks after the divorce of its front man, Of Montreals’ thirteenth album safely stays within their previously charted sonic territory while often sliding into conceptual schizophrenia.
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Father John Misty’s sophomore release is a startling investigation into the possibility of love enduring in our contemporary, inhospitable social climate.
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She Keeps Bees, Luke Temple, Friend Roulette, Stranger Cat, DM Stith, and Teletextile mesmerized the audience with a mix of folk ballads, indie electronica, and bluesy rock last Saturday night in Williamsburg.
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On her sophomore album, “The Future’s Void” EMA returns as an oracle from beyond the apocalypse of popular music.
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It was fitting that the Unsound Festival’s “The Long Tone” concert was held at the First Unitarian Church in Brooklyn on Friday, as the evening was more akin to a religious experience, a narcotic intoxication, or a sexual awakening, than a mere music show.
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Pamela Martinez who performs under the name Teletextile is a woman that can make even an accomplished musician feel inadequate. We caught up with the singer, songwriter, and multi-instumentalist while she was on tour with British musician Chad Valley and spoke with her about the progression of her sound and her upcoming album.
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